Zora Neale Hurston

Their Eyes Were Watching God, an American classic, is a luminous and haunting novel about Janie Crawford, a Southern black woman in the 1930s whose journey from a free-spirited girl to a woman of independence and substance has inspired writers and readers for close to seventy years. This poetic, graceful love story, rooted in black folk traditions and steeped in mythic realism, celebrates, boldly and brilliantly, African-American culture and heritage....

An exuberant account of Zora Neale Hurston's rise from poverty in the rural south to a prominent place among the leading artists and intelectuals of the Harlem Renaissance.

In 1925, Zora Neale Hurston was living in New York as a fledgling writer. This collection of stories, found in archives after her death, reveal African American folk culture in Harlem in the 1920s. This book includes eight of Hurston's "lost" Harlem gems.

In this 1939 novel based on the familiar story of the Exodus, Zora Neale Hurston blends the Moses of the Old Testament with the Moses of black folklore and song to create a compelling allegory of power, redemption, and faith. Narrated in a mixture of biblical rhetoric, black dialect, and colloquial English, Hurston traces Moses's life from the day he is launched into the Nile river in a reed basket, to his development as a great magician, to his transformation...

A recently discovered collection of folktales celebrating African American oral tradition, community, and faith..."splendidly vivid and true."—New York Times

Every Tongue Got to Confess is an extensive volume of African American folklore that Zora Neale Hurston collected on her travels through the Gulf States in the late 1920s.

The bittersweet and often hilarious taleswhich range from longer narratives about God,

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In America, colors seems to define our differences: black and white, blue and gray, red and blue. Divisiveness abounds, until we scrape away the surface and find the subtle and not-so-subtle layers of color in each of our souls and, through that, our common humanity.

During her lifetime, Zora Neale Hurston was praised for her writing but condemned for her independence and audacity. Her work fell into obscurity until the 1970s, when Alice Walker rediscovered Hurston's unmarked grave and anthologized her writing in this groundbreaking collection for the Feminist Press. I Love Myself When I Am Laughing... And Then Again When I Am Looking Mean and Impressive established Hurston as an intellectual leader for future...

Zora Neale Hurston's tragic 1926 play Color Struck is a thought-provoking commentary on colorism within the Black community. Set in Florida in 1900, Colour Struck begins on a Jim Crow train carriage. Barely making the train, Emma and John's journey commences with an argument. Emma saw John speaking to a lighter-skinned Black woman, Effie, and was immediately jealous, assuming he was flirting. Throughout the play Emma continues to display animosity...